Preface to Bram Stoker’s Old Hoggen
12 October 2017
Two years after his death, the estate of Bram Stoker issued a posthumous collection of short stories by the late author. Published by George Routledge & Sons, Ltd. in April of 1914, Dracula’s Guest and Other Weird Stories is now a frequently reprinted horror collection, a fine showcase of Stoker’s most macabre, grotesque, and sometimes darkly humorous fictions. He included stories previously published in English and American periodicals, many of them now considered classics of the genre, such as “The Judge’s House”, “Burial of the Rats”, and “The Squaw”. With the exception of “The Gipsey Prophecy”, these stories first saw …
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Fitz-James O’Brien (1828-1862)
12 October 2017
“It was shaped like a man—distorted, uncouth, and horrible, but still a man.” – “What Was It?” (1859) Fitz-James O’Brien was born in Cork on 25 October 1828. Little is known of his early life, though he attended Trinity College and, after a short period in London, emigrated to America around 1851. In New York he joined the artistic Bohemian set, and began writing for various magazines, including Harper’s, Vanity Fair, and Atlantic Monthly. At the outset of the American Civil War in 1861, O’Brien joined the New York National Guard. He was wounded in February 1862, and later died …
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Joseph Sheridan Le Fanu (1814-1873)
11 October 2017
“Perhaps other souls than human are sometimes born into the world, and clothed in human flesh.” — Uncle Silas (1864) Joseph Sheridan Le Fanu (1814-1873) was born in Dublin on Dominick Street Lower. He spent his youth in Chapelizod and the rural village of Abington, Co. Limerick. He entered Trinity College in 1833 and was called to the Irish Bar in 1839. Instead of pursuing a career in law, Le Fanu purchased and edited several newspapers including The Evening Mail and The Warder. In 1861 he bought the Dublin University Magazine, which he edited until 1869. He retreated from public life on the death …
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Charles Maturin (1782-1824)
10 October 2017
“I have traversed the world in the search, and no one, to gain that world, would lose his own soul!” –Melmoth the Wanderer (1820) Charles Maturin, novelist and playwright, was born in Fitzwilliam Street on 25 September 1782. In his youth he had a fascination for the gothic novels of Walpole, Radcliffe, and “Monk” Lewis. His early novel, The Milesian Chief (1812), won the praise of Sir Walter Scott; while his play, Bertram (1816), though successful, drew harsh criticism from Coleridge. A lifelong member of the clergy, serving as curate of St. Peter’s Church on Aungier Street, Maturin is now …
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Irish Writers of the Fantastic
5 October 2017
A good while back I posted the image of a poster designed by myself and long-time Swan River conspirator Jason Zerrillo. It features a line-up of Ireland’s most recognisable and possibly most influential writers of fantastic literature. I explained the impetus for the poster’s creation in an earlier post. While I’m pleased with the results, it was not easy choosing who to include and who to leave off. Much as I wanted to indulge in the most obscure and overlooked (Oliver Sherry, anyone?), there is also merit in showcasing the luminaries: a reminder of this island’s contributions to worlds of …
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Remembering Richard Dalby
20 July 2017
The first thing one learned about Richard Dalby as a person was that Richard didn’t use email. Or at least that was the first thing I learned. Communications came by typed letter, occasionally handwritten (especially the later ones when he was having eye trouble), and even, though less frequently for me at least, by telephone. But let’s face it, there’s something quaint and reassuring about getting correspondence in the post. Last week I got out all the letters I could find that Richard had sent to me over the years. While I’m sure we started corresponding earlier, I couldn’t find …
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Irish Writers of Gothic, Supernatural and Fantastic Literature
28 May 2017
I’ve long been a fan of checklists, indicies, bibliographies, literary guides, and genre studies. From Lovecraft’s Supernatural Horror in Literature to E.F. Bleiler’s Guide to Supernatural Fiction, and many more besides. One can spend hours immersed in these books, discovering new avenues for exploration and making mental notes on obscure titles to look out for. My shelves groan with these sorts of volumes, and despite severe bowing in some places, I don’t regret it one bit. Those of you who regularly peek at this blog might also recall the poster I designed with Jason Zerrillo a couple of years back …
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Hidden Aeons: Searching for a Literary Relic
23 April 2017
“Ce qu’on aime le mieux dans Yeats, ce sont ses vers. Mais le chef-d’œuvre d’A.E., qui est un grand artiste, c’est encore lui-même.” – Simone Téry The poet, painter, political philosopher, and mystic George William Russell (1867-1935)—better known as “A.E.”—was no stranger to divine visions and secret wisdom. Often he oracled out of his shadow these revelations to friends and fellow writers: how he bore witness to a “dazzling processions of figures, most ancient, ancient places and peoples, and landscapes lovely as the lost Eden”; or how in his youth the “rock and clay were made transparent so that I …
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A.E.—An Appreciation and a Remembrance
8 April 2017
“I have never met any man more serenely confident about the assured triumph of beauty in human life.”
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Our Haunted Year: 2016
1 January 2017
Here we are on the first day of 2017, and I realise that Swan River Press hasn’t had a single publication since August 2016. But the end of summer was certainly busy enough: we not only published one collection and two anthologies, but also helped run a festival. I’d feel a little more guilty about it had I not spent most of my holiday working on no less than three forthcoming publications (erm, one of them being the now overdue issue of The Green Book, I admit!) But I thought it would be worth the moment to have a look …
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Uncertainties II: Foreword
1 August 2016
by Brian J. Showers, August 2016 Uncertainties is an anthology of new writing — featuring contributions from Irish, British, and American authors — each exploring the idea of increasingly fragmented senses of reality. These types of short stories were termed “strange tales” by Robert Aickman, called “tales of the unexpected” by Roald Dahl, and known to Shakespeare’s ill-fated Prince Mamillius as “winter’s tales”. But these are no mere ghost stories. These tales of the uncanny grapple with existential epiphanies of the modern day, and when otherwise familiar landscapes become sinister and something decidedly less than certain . . . We …
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Why Can’t You Write Something Nice? An Interview with Lynda E. Rucker
24 July 2016
Conducted by Steve Duffy, July 2016 Lynda E. Rucker is an American writer born and raised in the South and now living in Europe. Her stories have appeared in dozens of magazines and anthologies. She is a regular columnist for Black Static, has had a short play produced on London’s West End, and won the 2015 Shirley Jackson Award for Best Short Story. Her first collection, The Moon Will Look Strange, was published by Karoshi Books in 2013. Steve Duffy: So first of all, congratulations on the Shirley Jackson award! Lynda E. Rucker: Thank you! Congratulations on yours as well! …
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