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Excavating Oblivion

Excavating Oblivion

2 June 2023

In Conversation with Iain Sinclair Matthew Stocker: I honestly didn’t know how to open this interview, then yesterday I was in a restaurant with my children and wife and I spotted beside many bits of Joyce paraphernalia a quote; “I want to give a picture of Dublin so complete that if the city suddenly disappeared from the earth it could be reconstructed out of my book.” In Agents of Oblivion, Dublin is mentioned once or twice in passing, but with regards London do you see yourself undertaking the same type of project as Joyce attempted for Dublin? Iain Sinclair: Dublin …

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The Green Book 21

The Green Book 21

5 April 2023

“Editor’s Note” Let us begin this issue with B. M. Croker (1849-1920), whose writings our readers might already be familiar with from the Swan River Press edition of “Number Ninety” and Other Ghost Stories (2019; Sarob, 2000), edited by Richard Dalby. Although born in Co. Roscommon, Croker accompanied her husband, John Stokes Croker, an officer in the Royal Scots Fusiliers, to India in 1870. Many of Croker’s novels, and the ghost stories collected in the aforementioned volume, feature colonial India as their backdrop. Likewise, colonial India also serves as the setting for the story we’ve included in this issue, “The …

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Getting Darker

Getting Darker

9 March 2023

Photo: Peter Coleborn “Getting Darker: An Interview with Lynda E. Rucker” Conducted by Steve Duffy © March 2023 Steve: In preparing for this chat, I reread all three of your collections [The Moon Will Look Strange, You’ll Know When You Get There, Now It’s Dark], and what struck me was that your style was pretty much intact from the beginning of your writing career—it wasn’t a case of “freshman to sophomore to senior”, or anything like that. Do you see an evolution in your stories? Lynda: I definitely see an evolution in the way I write them, in that I …

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Our Haunted Year 2022

Our Haunted Year 2022

28 December 2022

Art: Brian Coldrick From an outside perspective, Swan River Press has probably looked very quiet this year, reduced to a trickle. Though we didn’t publish as much within these last twelve months as I had planned, the year was still a significant one behind the scenes, hopefully positioning us for a more (outwardly) eventful 2023. In fact, I’d been lamenting how few new titles we had published this year, which is probably why stepping back to take stock in this annual post remains a useful exercise. Because we did accomplish more than I’d initially considered. So with the year now …

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Swan River Press Is Moving

Swan River Press Is Moving

16 December 2022

I mentioned in our September newsletter that Swan River Press would be moving in October. That hectic week is now upon us! I will remain in Dublin, but will be moving to ÆON HOUSE, a small, Edwardian cottage in a secluded and less frequented quarter of the inner city. The house is situated between a maternity hospital and a local funeral parlour. If there is a metaphor here, perhaps it’s best not to dwell on it. I’ll endeavour to keep on top of correspondence and orders during all of this, but the latter half of October and early November might …

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Our Haunted Year 2021

Our Haunted Year 2021

14 December 2021

If there’s one thing I’ve learned over the years, it’s that running a small press is not an easy job. It’s a precarious balancing act with limited resources on one side and an ever-shifting set of challenges on the other. This year was perhaps the most difficult I’ve experienced, due not only to the continuing pandemic, but also from the very real fallout caused by those twin bad decisions: Brexit and the Trump administration. We’ve been subjected to significant jumps in postage, reams of customs forms where there were none before, and supply chain issues that are likely to affect …

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The Green Book 18

The Green Book 18

8 October 2021

Editor’s Note Buy a copy of The Green Book 18 This issue is another selection of profiles from our tentatively named Guide to Irish Writers of Gothic, Supernatural and Fantastic Literature. The keen-eyed will spot one name that might seem out of place: Harry Clarke (1889-1931). Clarke, of course, was not a writer, but an artist who worked in watercolour, pen and ink, and stained glass. As an illustrator, Clarke put his indelible mark on literature of the macabre and fantastic. His best-known illustrations are those accompanying Edgar Allan Poe’s Tales of Mystery and Imagination (1919/23), though his illustrations for …

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“How I Write My Books”: An Interview with Mrs. L. T. Meade

“How I Write My Books”: An Interview with Mrs. L. T. Meade

7 October 2021

Despite her wide contributions to genre literature, Irish author L. T. Meade is now remembered, if at all, for her girls’ school stories. However, in 1898 the Strand Magazine, famous for its fictions of crime, detection, and the uncanny, proclaimed Meade one of its most popular writers for her contributions to its signature fare. Her stories, widely published in popular fin de siècle magazines, included classic tales of the supernatural, but her specialty was medical or scientific mysteries featuring doctors, scientists, occult detectives, criminal women with weird powers, unusual medical interventions, fantastic scientific devices, murder, mesmerism, and manifestations of insanity. …

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Publication Delay

Publication Delay

27 May 2021

Update: All pre-orders and most contributor copies will be in the post by Friday, 4 June. Thank you again for your patience. – Brian First of all, please let me apologise for the continued delay in shipping our three recent titles: The Fatal Move, Uncertainties 5, and The Green Book 17, which were supposed to have been delivered here in Dublin by our UK printed at the end of April. The story briefly goes like this: Delay #1: Printer broke downDelay #2: Ran out of cloth for bindingDelay #3: Cloth needs more time to dryDelay #4: I was informed I …

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Swan River Press Publishing Chronology

Swan River Press Publishing Chronology

20 May 2021

I’ve been spending the occasional odd moment assembling a Swan River Press bibliography. I started the press in 2003, so am getting to the point when I can no longer hold all the publishing details in my head. The bibliography (intended as a forthcoming publication) is meant as much a resource for me as I hope it will be of interest to readers, collectors, and bibliophiles. The book will contain my own notes on each publication as well as insights and reminiscences from authors, editors, and artists. I think there’s a certain personality type that’s drawn to bibliographies; we possibly …

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Conall Cearnach’s “The Fatal Move”

Conall Cearnach’s “The Fatal Move”

27 April 2021

A few years back I wrote a short piece on how we put together Lafcadio Hearn’s Insect Literature (2015) from a design point of view. There are often embedded design details of significance in our books—the sort of things you might not notice until they’re pointed out and the various meanings explained. With the imminent publication of The Fatal Move by Conall Cearnach, I thought it might be a good time to write another such essay looking at how we designed this particular book. Irish author F. W. O’Connell (1875-1929)—who often published as “Conall Cearnach”—was brought to my attention by …

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THE GREEN BOOK 17

THE GREEN BOOK 17

16 April 2021

The Green Book 17 (Bealtaine 2021) – Editor’s Note. #IrishWriters #OscarWilde #AltheaGyles #HdeVereStacpoole #KatharineTynan #DoraSigersonShorter #LTMeade

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