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Nocturnal Mirrors

Estimated to ship in late June. 

“Something foul is knocking at the door to our world.”

A grand marble staircase prowls the night in search of passengers, Hidden Mothers whisper tales of the Wild Hunt to children carved from wood, a man is gifted candles whose flames do not dispel shadows but lure them . . . and that which lurks beyond. Such are the shapes of Otherness reflected in Nocturnal Mirrors. Across thirteen stories, Richard Gavin conjures liminal realms where the familiar is transformed by spectral and chthonic forces. Drawing upon the literary traditions of the Gothic, fin de siècle Decadence, and Surrealism, Nocturnal Mirrors gives form to the author’s conviction that our world is most vitally experienced when it is viewed through a glass darkly.


Hardback edition limited to 350 copies.
Signed by the author.

Cover art by Morgan Sorensen

ISBN: 978-1-78380-058-2 (hbk)

A Mystery of Remnant

“The death itself was not a bodily thing.”

A ghost is an absence defined by its presence, or else a presence defined by its absence. The work of Brian Catling is filled with such visions, intrusions on the threshold of our world and the next. The stories collected within are fragments of a singular imagination, portals into worlds populated by dog-headed giants and reanimated bog bodies, spirits both beastly and mundane. These are tales about visionaries and mystics, about the need to venture into blurry territories of sight in which angels, ghosts and memories merge and reform. Together they showcase the distinctive voice underlying the very best of Catling’s work.

  • Hardback edition includes three postcards with photos by Iain Sinclair and texts by Alan Moore

Hardback edition limited to 500 copies.

Cover art by Eleanor Crook
Foreword by Jack Catling
Introduction by Victor Rees
Afterword by Iain Sinclair

ISBN: 978-1-78380-054-4 (hbk)
ISBN: 978-1-78380-787-1 (pbk)

Atmospheric Disturbances

“In its dim depths living things scurried and fluttered, but human voices were very rarely heard.” – The West Window

A glimpse of a grotesque illustration combined with the onset of fever instigate a descent into a hellish nightmare. In the wine cellar of an abandoned mansion, something alluring yet ominous is sealed inside a vintage bottle. At the end of a claustrophobically narrow alley lies a gilded façade opulent enough to tempt a thief. And forty miles out to sea, a naturalist on a lonely island hears voices through the radio telling stories of unimaginable disaster—and hope. In her second collection, award-winning author Helen Grant visits Flanders, Paris, and the remotest parts of Scotland, examining themes of transgression, repercussion, and revenge.


Hardback edition limited to 425 copies.
Signed by the author.

Cover art by John Coulthart

ISBN: 978-1-78380-049-0 (hbk)

Lost Estates

“I am, and ever have been, a great reader . . . a library cormorant. I am deep in all out of the way books.” – S. T. Coleridge (1796)

The twelve stories in Lost Estates offer antiquarian mysteries, book-collecting adventures, and otherworldly encounters. Mark Valentine’s amiable scholars and wanderers explore lonely and mysterious landscapes, places of legend, and secret history. Though drawing on the traditions of English supernatural fiction, these stories also strike out into unusual terrain.

Mark Valentine’s short stories have been selected for the Ghosts & Scholars books edited by Rosemary Pardoe, Best British Short Stories edited by Nicholas Royle, Best New Horror edited by Stephen Jones, The Mammoth Books of Ghost Stories edited by Richard Dalby, and many other anthologies.


Our limited edition hardback is sold out.
Please check with our Booksellers for remaining copies.

Cover art by Jason Zerrillo

ISBN: 978-1-78380-047-6 (hbk)
ISBN: 978-1-78380-782-6 (pbk)

Treatises on Dust

“From the small bones of the middle ear can be fashioned a key.”

“For a while now,” Timothy J. Jarvis tells us in the first tale here, “I’ve been collecting texts that hint at strange tales.” He goes on to explain that these “Treatises on Dust” are not ghost stories in the traditional sense. Indeed none of the pieces in the collection could be said to be in the vein of traditional supernatural fiction. They are haunted, not by ghosts, but by an obscure volume of French decadent poetry, a seventeenth-century murder ballad, a bone antenna, and by places where “the membrane is thin”.

They cleave closer to what the literary hermit of Arthur Machen’s Hieroglyphics called “ecstasy”. Though perhaps an ecstasy found less in the “withdrawal from the common life and the common consciousness”, than one grubbed up from the murk of that very consciousness.

  • “To Have a Horse” was selected for Nicholas Royle’s Best British Short Stories 2024.
  • Treatises on Dust has been longlisted for the Edge Hill Short Story Prize 2024.

Hardback edition limited to 425 copies.
Signed by the author.

Cover art by øjeRum

ISBN: 978-1-78380-046-9 (hbk)
ISBN: 978-1-78380-781-9 (pbk)

Uncertainties 6

“I am writing only for my shadow . . . I must make myself known to him.” – Sadegh Hedayat

“Ghost stories,” as Elizabeth Bowen observed, “are not easy to write—least easy now, for they involve more than they did.” But these eleven writers take up the challenge, each in their own way, with expert awareness of the genre’s limitless possibilities.

Uncertainties is an anthology series—featuring authors from Ireland, France, Canada, the United States, and the United Kingdom—each exploring the concept of increasingly fragmented senses of reality. These types of short stories were termed “strange tales” by Robert Aickman, called “tales of the unexpected” by Roald Dahl, and known to Shakespeare’s ill-fated Prince Mamillius as “winter’s tales”. But these are no mere ghost stories. These tales of the uncanny grapple with existential epiphanies of the modern day, when otherwise familiar landscapes become sinister and something decidedly less than certain . . .

  • Alison Moore’s “Where Are They Now?” was selected for Nicholas Royle’s Best British Short Stories 2024.

Hardback edition limited to 450 copies.
Signed or inscribed by the editor on request.

Cover art by David Tibet
Selected by Brian J. Showers

ISBN: 978-1-78380-045-2 (hbk)

Agents of Oblivion

“How long have things been coming apart in this way?” – The Lure of Silence

“Generally speaking the dead do not return,” pronounced Antonin Artaud. But the dead are permitted to visit those who welcome them. Their spectral, machine-made voices echo in deep tunnels under London. Voices without hosts. Without agency. They make their oracular pronouncements even when nobody is listening on the vast empty platforms of the Elizabeth Line. They have their codes and their secret meanings.

Four stories starting everywhere and finishing in madness. Four acknowledged guides. Four tricksters. Four inspirations. Algernon Blackwood. Arthur Machen. J. G. Ballard. H. P. Lovecraft. They are known as “Agents of Oblivion”. And sometimes, in brighter light, as oblivious angels . . .

As host, as oracle, Iain Sinclair moves through this quartet of tales, through a spectral London that once was, or might never have been.


Our limited edition hardback is sold out.
Please check with our Booksellers for remaining copies.

Cover art and illustrations by Dave McKean

ISBN: 978-1-78380-044-5 (hbk)
ISBN: 978-1-78380-771-0 (pbk)

Now It’s Dark

“Have I not always loved terrible things?” – “The Seventh Wave”

A student’s research into an obscure pulp writer takes on increasingly sinister tones; three friends reunite to fight an evil they thought they’d escaped decades earlier; a woman in a seemingly perfect marriage finds herself haunted by the mysterious absences in her memories of their life together.

In her third collection, Lynda E. Rucker reminds us that mystery lurks even in the most banal settings—a British holiday park, a Moldovan tower block, a stretch of industrial wasteland—but as these ten stories reveal, there can also remain a dreadful beauty amidst the horror.

  • Read John Coulthart’s blog post about his cover art.
  • Listen to the No Darkness But Ours podcast with Lynda E. Rucker.

Hardback edition limited to 400 copies.
Signed by Rucker, Shearman, and Coulthart.

Cover art by John Coulthart
Introduction by Rob Shearman

ISBN: 978-1-78380-043-8 (hbk)
ISBN: 978-1-78380-780-2 (pbk)

Quis Separabit

“Shortly after crossing La Touche Bridge and proceeding south along Rathmines Road, you will notice a nondescript and ultimately dead end lane stretching to the west. This is tiny Blackberry Lane, as evidenced by a sign bolted to the adjacent terrace, and in days past it was literally neither here nor there. This east-west lane was once a narrow and much lengthier bohreen beat through the dense foliage between the Earl of Meath’s lands to the south and the old Farm of St. Sepulchre to the north. It should arouse no curiosity that neither estate claimed this stretch of ground, as for countless generations it was primarily utilised by the dead. Until 1850, the lane served as a corpse road–a path used not only by funeral processions, but also, according to belief, by souls of the deceased.”


This limited edition chapbook is sold out.
Please check with our Booksellers for remaining copies.

Cover art by Jeffrey C. Roche

ISBN: N/A

No. 70 Merrion Square: Part 2

No. 70 Merrion Square has been published in two volumes and is told in a classic supernatural-tales style. Psychologist Dr. Sean McCormack is visiting his old friend in Dublin, Andrew Hampton, ‘this millennium’s master of the macabre,’ who fears he’s going mad. His address, 70 Merrion Square, once belonged to the Victorian ghost-story writer Joseph Sheridan Le Fanu, and Hampton’s first book after purchasing the house was a commercial flop. Since then, he has failed to write another book.

“Is Hampton going mad, and can McCormack help him? Set on a rainy night shortly before Christmas in an old haunted mansion, No. 70 Merrion Square has all the trappings of a memorable ghost story and is enhanced by Spurlock’s atmospheric drawings.” – The Harrow


This limited edition chapbook is sold out.
Please check with our Booksellers for remaining copies.

Cover art by Duane Spurlock

ISBN: N/A