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The Green Book 1

Bealtaine 2013

Brian J. Showers (ed.)

Availability: Out of Print

“To my young fellow-countrymen, at home and in exile, in the cottage and the mansion, amidst the green fields and in the crowded cities, soon to be the men of Ireland, I dedicate this little book . . .” – Alexander M. Sullivan, The Story of Ireland (1883)

This journal’s inception arose from a series of questions that I’ve long pondered and often asked others: Is there a tradition—a traceable pedigree or lineage of dialogue—in Irish fantastic literature? And if so, in what way might it be defined? How has it developed over the centuries? What are the connections, if any, between the writings of Charles Maturin and Elizabeth Bowen? Or Charlotte Riddell and Mervyn Wall? And what can be said of Irish literary sensibilities carried abroad in the writings of expatriate authors—and let’s face it, there’s a lot of them—as they encountered new ideas and cultures? Fitz-James O’Brien emigrated to New York where he joined the Bohemian set, Bram Stoker spent half of his life in England working for Sir Henry Irving, while Lafcadio Hearn ended up in Tokyo (by way of everywhere else). Is there an underlying gestalt—something between these lives and between their lines—that unifies these authors?


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Cover art by Bill Howe
Editor’s Note by Brian J. Showers

ISSN: 2009-6089 (pbk)